BDP was influential in provoking political and social consciousness in hip-hop, for example in Stop The Violence off 1988's By All Means Necessary.
BDP's music became significantly more politically astute after Scott La Rock's death. KRS-One published four more albums under the title Boogie Down Productions, and each was increasingly innovative and expanded from the thuggish imagery of Criminal Minded, exploring themes like black-on-black crime and black radicalism, using a riff on the words of Malcolm X, “by any means necessary”, which became the title of the second BDP album, and remains one of the most political hip-hop albums to date. It was in this album that KRS defined himself as the “teacha” or “teacher”, symbolizing his emphasis on educating his audience members and fans about relevant social issues surrounding the African-American experience.
During his time in association with Boogie Down Productions, KRS-One joined other rappers to create the Stop the Violence Movement, which addressed many of the issues brought up in BDP's music and is the most conscious effort displayed by KRS-One and BDP of political activism and engagement. The movement created the single “Self-Destruction” in 1989 through the collaboration of BDP (KRS-One, D-Nice & Ms. Melodie), Stetsasonic (Delite, Daddy-O, Wise, and Frukwan), Kool Moe Dee, MC Lyte, Doug E. Fresh, Just-Ice, Heavy D, Biz Markie, and Public Enemy (Chuck D & Flavor Flav), with the aim of spreading awareness about violence in African-American and hip-hop communities. All proceeds from this effort went to the National Urban League. Read more about BDP here.
